This is a darker and marginally more cinematic experience than Hitman 2, with the paper-thin plot from the previous two titles reaching its conclusion. There’s no correct way to achieve your objectives, but there’s certainly a wrong way: the beauty is in not getting caught. Levels like Dubai in the United Arab Emirates are roomy and intricate, but they are not open world they’re large, layered playgrounds for you to explore and master, observing all of the patterns that occur within them in order to fashion opportunities. As it’s effectively one-third of a larger overall experience, this latest instalment does little to reinvent the rules that the Freedom Fighters maker has been writing for half-a-decade now.
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